Coherence: Definitions and Examples | boittierssa.tk

 

cohesion in literature

During cohesion, water is attracted to itself and turns molecules into drops. Another example of cohesion is water sticking to the hood of a car that has been recently waxed. The cohesive water is attracted to itself, causing the water to bead into drops on the hood of the car. May 01,  · My sense of literary cohesion has its roots in my undergraduate courses, where the esteemed Dr. Greg Scholtz cleaned my clock for four years about what makes writing great and what doesn’t and how to be a cleaner writer. In writing, cohesion is the use of repetition, pronouns, transitional expressions, and other devices called cohesive clues to guide readers and show how the parts of a composition relate to one other.


What Is Cohesion in Composition?


So here goes, cohesion in literature. My sense of literary cohesion has its roots in my undergraduate courses, where the esteemed Dr. We were working with 18th century British literature and academic writing, but I still learned more about how to stop the Heidi babble machine from him than I did in any fiction writing course.

He taught me how to make a point and stick to it, and the basis of doing this is based on the principle of literary cohesion. Each hand is independent and can remove itself at any time, so the cohesion, the sticking-togetherness, must cohesion in literature maintained or the cohesion ends. Also, each of these hands is different, and not just in skin tone. There are right and left hands. Small hands and big hands. Some hands have tan lines from watches or bracelets.

The sand around cohesion in literature hand is also different. In short, a whole is created by these twelve hands on the sand, but the bond is not permanent and cohesion in literature be supported or it will fail.

Usually it was assigned to me, and if not, it was easy to come to cohesion in literature nexus point I needed to build around. My model for structure was the good old Western five-paragraph essaywhich while boring and uncreative, does get the job done. All that was left to me was to stick to the point.

In a short paper I could do everything in my head. For longer dissertations, I would create outlines and charts and make sure every one of my assertions linked back to my main topic. Cohesion achieved. Some authors write deliberately, planning out what will be achieved in cohesion in literature story.

Many of us, myself included, do a combination of both. In no way am I advocating any style over another. This said, primarily conscious writers can begin working on cohesion during the first draft. Subconscious writers and combo writers will likely be better served waiting until the first draft is done or until most of the book is in place, or until they are hopelessly stuck.

I put this in bold because it should probably be in blinking neon. Probably the reverse is true as well, cohesion in literature. You have been warned. This is my assumption, that at some point an author is sitting down and trying to figure out what her work actually says. Genre writers have a leg up because we can begin with the central questions prominent in our genre.

But it gets the job done. Fall in love makes it clear this is a romance. The pairing, though, tells us the baggage each man will bring to the story. How does this set me up for cohesion? Every single thing I put into my story has to serve the central question. The more complex the story and the more sub-genres it embraces, the more danger there is for cohesion violation. Big, extended fantasy story with lots and lots of subplots. I worked my ever living tail off to have a central question, but the truth of the matter is by the very nature and structure I set up, cohesion in literature, I probably lack cohesion there for a lot of people.

Neither answer is incorrect. The only thing an author can do is work deliberately to achieve cohesion so that there is at least one solid path for coherence within the story. It would be advised she work to make this road for cohesion as broad as she is capable of making it within her cohesion in literature. An easy place to flub this is in mystery-romances, because mystery has such a strongly rooted central question who dunnit? The truth is, cohesion in literature, if two central questions exist in the same story, they need to serve each other as all subplots must, and likely cohesion in literature author is going to have to decide which one is driving the bus.

In the case of a mystery-romance, the author must pick a lead cheerleader, the mystery or the romance. Why does an author need to have a central question? Why does she have to choose between two strong central questions serving two genres and make one subordinate to the other?

For the reader. No matter what kind of story an author is writing, her main point is always and should always be that she is entertaining a reader. Without a map and guide for what to expect from the story, the author risks and possibly assures the reader will get lost and frustrated. Reader confusion and trickery is part of the gig. If you want to see how many people enjoy being confused and tricked, check out their overall sales numbers not counting the lightning strikes that actually have plot and cohesion and clarity and make it into bestseller lists.

Not enough authors approach their work in the editing stage with the reader in cohesion in literature. Suffice it to say, cohesion rests in the author establishing to the reader what the story is going to look like so they know how to play along.

In general romances begin with the introduction of the pairing, if not right away, then as quickly as possible. Mysteries begin with the introduction of the crime or puzzle, if not right away then as quickly as possible. Is my story clear to a reader?

Can she begin reading and know what story I will be telling? Do I make her work to find out? If my story is complex, cohesion in literature, do I give clear signposts and stick to my main story instead of taking her into unrelated tangents?

Do I follow established story patterns? If I deviate from usual patterns, do I do so in a way a reader can follow, or am I simply entertaining myself? In the first draft, we may be as self-indulgent as we like, but when we publish a work in any manner, our shift needs to move from gratification of self to gratification of our readers.

During the editing and polishing stages, however, it is our duty as authors to prepare our tables for our readers. Our displays should be inviting and welcoming, cohesion in literature. Our food should be appetizing and appealing to the eye as well as cohesion in literature tastebuds. The point is that writing is for readers. Our readers. Everything else is dross. In no way is anything I write, especially in fiction, perfect in its cohesion.

For example, the story I just sent to betas ended up having two first-person points of view. It feels like every time I create something new, I inadvertently tie myself into a pretzel over some writing construct I cleave to. That cohesion in literature, every time an author is deliberate about how she writes, every time she accepts the challenge of her muse and wrestles with the dichotomy of following the story vs providing clarity to readers, I believe she creates better story.

Great writers may or may not come with innate talent, but the best ones will always work hard with what they have and work constantly to acquire more skills. My humble or not so request is that if you are an author looking to polish her craft that you consider examining your cohesion. A lot, cohesion in literature. You are commenting using your WordPress. You are commenting using your Google account.

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Cohesion (linguistics) - Wikipedia

 

cohesion in literature

 

May 01,  · My sense of literary cohesion has its roots in my undergraduate courses, where the esteemed Dr. Greg Scholtz cleaned my clock for four years about what makes writing great and what doesn’t and how to be a cleaner writer. In writing, cohesion is the use of repetition, pronouns, transitional expressions, and other devices called cohesive clues to guide readers and show how the parts of a composition relate to one other. During cohesion, water is attracted to itself and turns molecules into drops. Another example of cohesion is water sticking to the hood of a car that has been recently waxed. The cohesive water is attracted to itself, causing the water to bead into drops on the hood of the car.